Sound Design & Supervision for Film and TV

Sound Post by B&B SOUND

Rick: Supervising Sound Editor // Michael: Re-Recording Mixer

Weree
40+ festival selections
7 award wins

Sound Post by B&B SOUND

Rick: Supervising Sound Editor // Michael: Sound Effects Editor

Red Herring
BIFA nominee
Raindance winner

Sound Post by B&B SOUND

Rick: Supervising Sound Editor // Michael: Re-Recording Mixer

Rebellion
BAFTA nominee
BIFA nominee
IDFA and CPH: DOX official selection

Sound Post by GF Soundscapes

Rick: Sound Effects Editor // Michael: Supervising Sound Editor & Dialogue Editor

Birds of War
Sundance winner
Visions du Réel winner
Thessaloniki winner
DocFest special mention

Sound Post by GF Soundscapes

Rick: Sound Effects Editor // Michael: Supervising Sound Editor & Dialogue Editor

McCartney: The Hunt for the Lost Bass
BBC2 broadcast
iPlayer streaming

Sound Post by Raoul Brand

Rick: Sound Effects Editor

Merkel
Telluride, CPH: DOX and IDFA official selections

Sound Post by B&B SOUND

Rick: Supervising Sound Editor

Staged: Deadly Deception
10 x 60” for Crime & Investigation

Sound Post by GF Soundscapes

Michael: Supervising Sound Editor

The Six Billion Dollar Man
Festival de Cannes L’Œil d’or Special Mention

Sound Post by GF Soundscapes

Michael: Dialogue Editor

Cecil: The Lion and the Dentist
Jackson Wild winner
Grierson longlist

Sound Post by GF Soundscapes

Michael: Supervising Sound Editor & Sound Effects Editor

Strike: An Uncivil War
DocFest Audience Award winner
BIFA longlist
AMPS Excellence in Sound nominee

About Us

B&B SOUND provides full sound post, from a film’s initial stages through to deliverables. Based across London and the South West specialising in documentary film & TV.

Rick Blything

Supervising Sound Editor & Sound Designer

Michael F. Bates

Supervising Sound Editor & Re-Recording Mixer

Our Approach

We approach documentary sound from a standpoint of cinematic immersion, expanding the frame of the filmmakers image by creating a rich, textured soundtrack.

Rather than applying a template approach of post production sound as an afterthought, we work in close collaboration with filmmakers to ensure that the sound of their film is in tune with the emotional core of their story.

Our collaborative process comes from a creative feedback loop within the sound team. By constantly reviewing each other’s work we avoid falling back into old patterns and create a space to generate new ideas.

In this way we ensure that the final mix isn’t just cleaned up production sound, but a fully realised sonic experience where sound and story are in sync.

How We Work

Our workflow uses the flexibility of freelancers and the infrastructure of facilities. As part of the ongoing shift in high end post production not being constrained to solely using centralised post facilities, we use a hybrid method to get the best of both worlds.

  • Initial spotting sessions are carried out either in-person or remotely using secure online viewing platforms
  • Sound editorial is carried out in professionally built home studios with constant communication between the team
  • For larger projects or compressed schedules we can draw upon a large pool of highly experienced freelancers
  • Foley is handled either in-house or sub-contracted to trusted dedicated foley studios
  • Pre-mixing is handled in Michael’s calibrated and tuned 7.1 equipped studio
  • Final mix and reviews use tried and tested facilities, dependent on budget and location
  • Post QC deliverables and near field mixes are finished in Michael’s studio

Projects we’ve worked on have been

Shown at these festivals


Released on these platforms


Nominated for or won these awards


hello@bnbsound.com